Genealogy of an Absurd Jew – Part 2
The son’s myth of the mother’s myth of her husband
Scenography (Sc.)
Fathers come through doorways
Car door
Front door
Bedroom door
A force entering the room
Any room
Every room
Father:
Conquer death
With knowledge, skill and force
Shape the world to your will – and god’s will
Re-shape the human body to avoid death
(A Jewish response to death anxiety: become a doctor)
Wild eyed with purpose
Intoxicated with god
Becoming god-like
Eating from the burning tree of knowledge
Demonstrating your power
The thrill of hunt and dominance
You:
He leads the family to Sinai
Confers with god
Is gone for long periods
So we relax and we play
Nothing so pure as play
We build treehouses and campfires
We conjure a Golden Calf
Then father returns
Descends Sinai
Home from work
Sees you and your golden calf
He feels disrespected
Even humiliated
Mother:
Don’t humiliate your father
You:
We are punished harshly
Master of Scenarios:
You can leave the details of punishment for another time
You:
Why are we being punished?
Sc.
Master of Scenarios transforms into a concentration camp guard
Master of Scenarios:
Why? There is no why here!
(Reference: Primo Levi, If this is a man, 1958)
Mother:
All explanations are rationalisations
Council Members:
(Ritual chant)
Because of the cause of the cause of the cause
Because of the cause of the cause be the cause
Sc.
The son suddenly awakens from trance
Master of Scenarios:
(Slowly, calmly)
All is well
You are participating in a ritual design workshop
Remember?
You are designing your symbolic immortality project
You:
I’m afraid
Master of Scenarios:
Of what?
You:
He doesn’t deserve this
This is a wild exaggeration
It’s archetypal
Master of Scenarios:
How would you feel?
You:
I’d try not to take it personally
Master of Scenarios:
There you go, then
Don’t take it personally
Close your eyes and continue
You:
He leaves again
Comes and goes
Play and punishment
Mother:
Learn to lie quietly and play quietly
Council Members:
(much less jovial, suddenly and uncharacteristically serious)
Lie quietly
Play quietly
Be invisible
You:
Venture into his temple
Find a hidden scroll
Deep in the recesses of the ark
Illuminating mysterious rituals
Materials for putting on a play
Serious and mysterious play
Exciting and dangerous play
Secret play
Master of Scenarios:
More later on what this ‘play’ looks like?
You:
But he always returns
Forty days or hours later
Down the mountain
Through doorways
Up the staircase
On a rampage
Filling the hallways, rooms and spaces
Sacrificing priests on their alters
And children on their beds
Council Members:
The scroll in the closet says so
You:
Guilt somehow sooths
Guilt makes us feel better about ourselves
I am more noble for my guilt
I’m not evil, after all, simply flawed
I’d rather be weak than evil
Funny that
Ritualised repentance
Sc.
Abraham, Moses, Fathers, Priests
They nail mezuzahs on the gates of the camp
Inside, on tiny scrolls, it is written:
“Do not stray
Stay out of my way
Avoid my wrath”
You:
Warnings abound
Mother warns you
Aunts and older siblings warn you
Inherited warnings
Wired into your chromosomes and anxieties
History warns you
The core mythic narrative of the universe is a cautionary tale
Council Members:
Prosecutor
Adversary
Demon
Serpent
Staff
Phallus
Sc.
The staff of Moses
Leans against a tree
Morphs into a serpent
Embodied as a penis
Circumcised
Council Members:
God’s gift to Moses
God’s magic trick
A sufficiently advanced technology
The prototypical tool that builds and destroys
Absent of free will
Follows orders – god’s and one’s own
Goal orientation
By any means necessary
Confront mortality through heroism
Scapegoat as strategy
Even family – even children
The Holocaust Principle
Exploit what you can and kill the rest
Kill the infection, the tumour, the impure – the other
Leverage neural pathways of disgust
Perfect rationality
To eat children
Yes, fathers sometimes eat their children
Sc.
You sit up suddenly, as if awakening, temporarily
You:
What's the deal with fathers eating their children?
Master of Scenarios:
You tell me
You can go back in
Relax and sit back
Hands on the controls
Close your eyes
You:
(To the mother)
What the hell is going on here?
Mother:
Some people think this
Some people think that
You:
Yes, but what do you think?
Sc.
Multiple screens
You and Mother are watching Holocaust films
And golden calf sequences
Mother:
(In whispers, looking over her shoulder, someone’s coming)
Nuclear families in cities, ghettos and death camps
Caldrons for cooking humans
Under stress and duress, we regress and devolve
Lose compassion and mercy
We don’t think – can’t think – try to escape
Claw at the sides
Skulls as stepping stones
Hide food from each other – from the children
We turn more fully into the monsters inside us
Sc.
Father leads ritual prayer
Pushing against the western wall
Propping up the retaining wall
Father
We do this
We do this
We do this
To keep ourselves from descending into chaos
(Looks at you)
Sometimes you must fight for your freedom
(Accusingly)
Oh, Israel
Council Members:
In other words, we’re fucked if we have to rely on you
You, the younger:
Who am I fighting?
When and why?
And how?!
What does fighting even look like?
You are going to tell me these things, right?
Sc.
The father mumbles something you can’t hear
You struggle to hear but cannot
Father:
(Sternly, with frustration)
Eat your dinner
Sc.
The mother places a plate of thick steak down in front of you
She cuts a few mouth-sized pieces
You stab a piece and put it in your mouth
You chew and chew but it never gets smaller
The mother looks at you with worried compassion
Father:
You’re going to sit there until it’s finished
Sc.
You continue chewing
Looking downward
Avoiding eye contact
You and other children
Kneeling in a row on the grass
In front of flowering dandelions
A ritual of fear and submission
Father:
Eat them
Submit or I will eat you alive
Submit – I may still eat you
You:
(A spontaneous prayer of confusion, diversion, dissociation)
Who is saying what?
What is the meaning of who?
If there isn’t a who
Is there even a me?
Then who is the meaning of what?
Master of Scenarios:
You’re distracting yourself - procrastinating
Avoiding strong emotions
You:
How might this moment differ from all other moments?
You eat the dandelion
You feel a warmth in your groin
What the hell is sexual about this?
How might this eternal moment be the one glorious and blissful eternal moment?
Master of Scenarios:
These are among the stories you tell yourself
When you’re not looking
Core mythic narratives
You:
Absurd stories
Council Members:
(All together)
Absurd Jew
You:
Abraham
The father that binds
Scapegoats
Sacrificial sons
Fathers love
Fathers kill
They approach the tree of knowledge
Bursts into flames
Burning point of consciousness
Terrible and wildly successful inheritance
Council Members:
(in unison)
The burning bush is the tree of knowledge
Burning releases knowledge
Illumination toward transcendence
Mother:
(Coaching the son)
How is knowledge used?
All the better to know your enemy
All the better to devise technologies of destruction
Knowledge doesn’t abolish fear
What do you do when confronted with god?
The myth of the protective mother
Sc.
A mother paints her menstrual blood around the child’s bedroom door
Then the father approaches the doorway
Council Members:
Prosecutor
Adversary
Demon
Serpent
Staff
Phallus
Son:
Framed by posts and lintel
Painted with mother’s blood
A proximity warning
Bedroom doorway as selectively permeable membrane
The mother’s blood says:
Pass by this door
Your husband then leaves
Taking Shabbos and the nod to kashrut
One of two sets of dishes and silverware
And the children?
Sc.
Mother glances over at the son, under her bedroom door
Mother:
(Defensively)
The children are fine
Safe in suburbia
Middle class food, clothing and shelter
Middle class education and critical thinking
They question authority
They respect diversity
I surround them with the arts
With clues
We go to museums
Watch obscure films
Meet interesting people
Protest the war
We send them to Hebrew School
Theatre Beth El
A day in the life of Hebrew School
You:
Temple Beth El
House of God
Holocaust films
Skin-draped skeletons
Sliding down sliding boards
Into mass graves
Piles of corpses
Piles of tens
Piles of hundreds
Piles of thousands
Sc.
Children in a row watching the film
A corpse crawls out from under the pile
Moves toward the camera, toward the screen
Presses against the screen, which bulges toward you
An old man now stands in front of the screen
The sliding board imagery projected onto him
He pushes up his sleeve to reveal his tattooed forearm
One two three four five six million
Son:
Stories of camps
Stories of Israel
Creating and defending
Prayer and song
In ancient language
Without translation
The feel of the language
The minor melodies
Baruch atah Adonai
Barchu et Adonai homvorah
A shrine at the entrance
Like a massive mezuzah
Six candles for six million
Then off to play basketball
Hebrew school
Holocaust
Israel
Circumcision
Art on the wall
Books on the shelf
(To mother)
And your words
Your rituals
Cecil B. DeMille
Bus stop
School bus
Migraines and vomiting
Dark Shadows
Bugs Bunny
The Cisco Kid on Saturday mornings
Mother:
What is important?
What ought one do?
What might you leave behind?
What might you do while waiting for the Holocaust?
Delay?
Delay the next Holocaust?
What right have you to speak as a Jew?
The father archetype becomes community archetype
The Jewish Community:
What right have you
To speak as a Jew?
Did half your family perish in the camps?
Did the other half fight for a Jewish homeland?
You’re an absurd Jew
Your parents successfully mated – that’s all
Sc.
The Mother looks at you with a combination of compassion and curiosity
As if to ask: How will you respond?
It’s a universal expression, isn’t it?
Compassionate curiosity
Mother:
How might you coach your younger self?
Son:
I would begin by thanking them for their authentic offering
Some of which is nonsense
Mother:
More confidently
Son:
That was absurd
Sc.
Mother and son have a brief laugh, together
